STRAWT media. So E. DO
kind of don't want it to end our
or maybe do you want it to
end but you don't want to be alone
after it ends? Yeah, is
this normal? What I'm feeling right now?
Yeah, I'm like, Oh,
yes, you felt up to okay,
cool, personally. Talk to yeah, yeah, welcome to conversations with
friends and strangers. I'm Maggie.
I'm the Lam in the show. We
take a closer look at the complicated
relationships in the Hulu series conversations with friends.
Will meet some of the cast and
crew, chat with experts and share
our own kind of sexy, kind
of uncomfortable but relatable stories about the messy
relationships we find ourselves in. It's
our final episode. I know I feel
conflicted, I feel sad. I'm
going to miss my friends, I'm going
to miss my strangers, but today
we get a lot of great stuff and
you want to know can you really
call someone out for hurt full behavior and
communicate through a conflict? We talked
to producer genie I go about the differences
between Melissa on the page and Melissa
on the screen. We learned some conflict
resolution techniques and Maggie tells us about
the time she waited seven years to apologize.
HMM. We talked about the series
overall and our feelings and our feelings
about the series overall and we ask
some questions about a possibilities and too.
But first our last recap. Francis
is looking very alone. Yeah, she's
kind of in a depression, hybernation
mode, and a copy of her story
arrives in the mail. So she
calls Melissa and asks why she showed bobby
the story as it drops some major
wisdom. Honor, what you have behaved
has had real consequences. Francis rights
an apology email to bobby. It's a
very good email. They reconcile,
they have sex and they start their lives
together as lovers. Time passes,
she seems to be having her life together
and then around Christmas time she gets
an excellental phone call from Nick. The
ends with Frances saying come get me
you. In the novel, Melissa comes
off pretty badly and it's not hard
to join in with Francis and villainizing her.
You know she was that much,
a little bit harder and and not
meaner, but maybe just slightly.
This is producer genie. I go.
I'm starting to kind of think of
her as our conversations with friends Shaman.
That coldness of and Melissa, I
don't think really works in the adaptation as
much from screen, because you're not
so in France's as heads and experiencing what
she's experiencing. And you see it
through France's reaction that that is quatch feels
and how she sees Melissa. But
you know Melissa is a very complex person
and has her own life and this
is her husband and you know it has
so many layers. Do it.
Your actions have impact, your writing has
impact. The way you have behaved
has had a real consequences. You made
my depressed husband happy for a while
and then you gave up when things got
complicated and you want the center of
the fucking everything, and now he's struggling
again and you call me as though
you're the fucking victim. Please, please,
leave us alone. I'm sorry,
Minissa. I'm sorry for this aggressive
phone call. It was stupid.
I am I don't really know what I'm
doing at the moment. I'm having
a hard time. Maybe I'm sorry.
I'm having a hard time. Are
you okay? Francis? First of all,
I think Jemima just like brings more
of a like, she brings a
relatability maybe to it that makes Melissa's
character so much more sympathetic, you know
then and then in the book,
and also just like you know, some
of the ways that these the conversations
went like, for the one that really
stood out to me was the one
where Francis Calls Melissa on the phone to
ask her why she showed Bobby Her
story and in the book. I reread
that conversation in the book recently because
I was like, you know, this
is such a powerful moment in the
series where Melissa's able to like, you
know, a Jemima, as Melissa's
able to give her some like wisdom and
and, you know, be a
little bit harsh. Well, yeah,
pretty harsh, but also almost constructive, and it feels like a catalyst.
It feels like something that really changes. Francis has like perspective, whereas in
the book, Melissa, what Melissa
says to her, doesn't necessarily seem to
have that big of an effect.
And you know, you could make the
argument that it's all how Francis sees
it, you know, versus how it
actually took place. But it it
really changed the way that I felt about
Melissa based on seeing it on screen. Yeah, that's definitely what it felt
to me. It's hard because I'm
a purist, but in the end of
the yeah, that's much better way
to do it. We get it and
it kind of shows us when we
stand and it kind of puts Francis it
humbles her and straightens her at the
same time, and she understands kind of
her perspective fair relationship with Bobby.
MMM, totally. I mean, like,
think of your headspace those like a
twenty one year or twenty two year
old like it's so you're so self
involved. You know you're so everything is
about you, like everything is happening
to you and not moment to that.
Cool Melissa just takes her out of
it and just gives her just like a
quick reality slap of like Hey,
he's my husband, you have come into
my life and you have changed things
and it is not all about you,
like like kind of I don't know. It's such a powerful conversation, and
it is. I think you're right. It's such a catalyst to how Frances
kind of brings herself out of it
and realize it's how selfish she's being in
like it kind of happens so suddenly, because that is how I think as
a twenty in your early s,
you don't really realize that the effect you
have on people as well, and
it's something I still I think I'm still
learning now, like with friendships and
relationships, and I look back and I
think I've had this experience with someone
and they think it's been totally different and
like we're it's crazy how you what
you do to yours, Howe you tell
yourself, like how you tell yourself
you're good friends, how you tell yourself
you're doing the right thing, but
actually we'll make mistakes and you're a very
selfish people. Yeah, a percent. Also, I think it shows.
It shows how mature Francis is becoming
and how big she's a a person to
kind of own own it. She
does wake up, which makes us love
her more, because she said she's
a typical character. But in the book
to every time I read this book, I'm like you're me and I hate
you. HMM. Yeah, yeah, but like it's so true, but
you like you got so first rate
at her, but you like she's doing
the best she can as well,
and like it is a really hard time
as well, it's like, you
know, you're not in college, you
are grown up around you were in
the world, and I think Francis is
realizing that and she, you know, with the help of Melissa and with
the help of like Bobby, holding
her accountable to I think that's a really
important part of it as well.
But I think in order for her to
go back to bobby as a better
version, she needed that kind of outside
perspective and kind of someone who wasn't
going to sugarcoat off for her and someone
wasn't speaking out. Even though Melissa
is going through pain, you don't feel
like She's speaking I to Francis from
only a place of pain, it's kind
of a place of wisdom as well. Are you okay, Frances sound fine,
I just said I just haven't been
the person that I should have been.
So I don't know what any saying
now and I wish I had been
more thoughtful. I guess I want
to apologize for us. I'm going to
hang up brutal but very true things
and well, it's important that she held
Francis Accountable. There really wasn't any
attempt a resolution. Melissa, on the
other hand, so harsh, managed
to stay empathetic. All this had us
thinking about the best ways to try
and resolve conflict, because for most of
us our initial instinct is like Bobby's. It's aggression in it it's sort of
will end up driving US apart,
and we know how to hold this conversation
if we have certain things in mind. This is Ranchetha your car. She
practices and teaches non violent communication skills
and she talked to us all the way
from Bangalore. So when we're talking
about interactions that can potentially be uncomfortable or
that are uncomfortable and we're broaching there's
a couple of things for me that make
the difference between such a conversation leading
to more connection or leading to disconnection.
I think the tendency often is to
either express ourselves unfitted and to say here's
my honesty, take it, and
then that becomes sort of an equivalent of
dumping. And the other, which
is very common, is waiting until things
get super intense before even trying to
have a conversation and then, with the
intensity will so much I don't actually
have a lot of space to listen to
either me or if you want to
have a conversation about conflict and your goal
is resolution. Here are some things
you can do before entering that space.
The first is I want to get
super clear for myself about why it does
this matter to me, and this
is really central to the practice of non
violent communication itself, which is that
everything we do, we doing need delete.
Any emotion that stimulated in us is
telling us about some need or the
other that we have. If you're
not clear about what you're feeling and why,
it'll be that much harder to try
and explain it to the other person
and that much less likely the understand. So prep for sure helps with hard
conversations. Just a little bit of
reflection before about what happened, why it
does this matter to me, why
you know I'm feeling sad. What is
the sadness telling me about? The
other part for me is, instead of
saying something like you're such a lousy
friend, can I actually express my internal
experience, because saying you're a lousy
friend is more like a judgment on the
other person and my internal experience is
more like hey, you said you show
up to help me with the work
that I had on my plate last week
and I didn't see you. What
happened? I'm disappointed and I was really
hoping to have your support with that. It becomes easier for people to hear
us. Will be not blaming them, because when we blame people, their
defenses go up. They have a
choice to either defend themselves or to or
to attack us back. But when
I'm actually talking about me and how your
actions have impacted me, it's a
lot easier for you to hear and guessing,
because it's not so much about a
judgment of you, but it's more
like this is how I'm experiencing the
situation when it comes to resolving conflict.
That feels like a pattern. Say
Your friend consistently hid its important information from
you. Frencha says the key is
to be specific. First. I'd suggest
taking one at a time, or
maybe alluding to it, abuding to hey,
I remember this happening a cup,
maybe two times in the past,
or something like that, because the
most specific I can be, the less
it's likely the other person is going
to hear it, as this is exactly
the person you are and I know
it. And I think it's also about
clarifying it enough for me to get
clear about my own experience, enough that
I can say at this moment what
I want to talk about is this and
this and to really identify what are
those two or three things that I want
to talk about in this moment,
rather than talking about the entirety of what
experience, because that's that's huge.
And how you know, the more specific,
the more grandular I can be,
it's the easier it is to actually
initiate a conversation and start connecting with
the other person. Now violent communication has
a four stat framework. It's very
cool and very helpful. Will look more
info about Majitta and non violent communication
practice in the show notes and who knows,
maybe you when your next pike.
Thank you. May Have missed the
point. Perhaps we're going to take
a quick break and when you come back,
Maggie, seven year late, apology. Magic Mushrooms and Dr Martha Kelpy
shares their secret ingredient and lasting relationships. Welcome back today for our final episode
or looking at conflict and resolution.
Is it possible to call someone out for
the way they've hurt you in a
constructive way? What if you're the asshole
and no one calls you out on
it? Remember that story I told you
in episode one about playing in a
band with my ex. The part of
that story that I left out is
about the guy who played drums at us
during the time Anthony was gone.
He was not as good as Anthony.
Anthony is a musical genius. Max
was not a musical genius, but enthusiastic
in his yeah, in his blase
a way. It was two thousand and
nine and I was nineteen going on
twenty. I was living in Long Beach
and going to school but still managing
to drive down to Lata party at least
once a week and I struck up
a friendship with Max. He was like,
Oh, I played drums, I
can play drums, and I was
I think I was talking to about
a bar or something, and I was
like great, and he lives in
La he was older, he was in
his s. He seemed very cool
to me at the time and he started
playing drums with US instead. How
long was it before he's left with him?
I can't remember exactly, but not
long. It's twice a pattern.
I have a really hard type separating
my creative feelings from my romantic feelings.
So I think I do have a
connection to music and that's also where I'm
in love with my goal and he's
I'll never love me back the way that
I want. That's because I have
a very strict rule about creative partner romances.
Yeah, it's the only the only
reason. No strictules about Vaginas at
all. No, no, no, no, no, no, no,
very profamously, I wouldn't say x
and I were ever in a relationship,
but we were fond of one another
and there are a few instances where
we crossed that line into more than
friends, romance of convenience maybe, like
convenient to have a twenty one year
old around, you know. Yeah,
well, I think there's also the
factor of, like, we're spending a
lot of time together and we're drinking
a lot together playing at these shows,
and like then he just kind of
happened. So there been some a skate
dude in the band, I probably
would have been pounding him too. So
you would have been. That just
wasn't I is the true tragedy of the
story. After about seven or eight
months of playing shows with Max, Anthony
said he was thinking about rejoining the
band, and this was big because we'd
really been feeling Anthony's absence in the
music. There wasn't just he wasn't as
Goas Anthony. It's that he wasn't
that good, generally know, and we
should also say that we weren't that
good either. No, no, Anthony
was doing a lot of the heavy
lifting when it came to musicality and the
way that we played, and I
don't think we realized how much work he
did as a drummer until we got
a different drummer who was more you know,
I was in a fantastic guitar player
at that time. You were probably
a lot better at base than I
was at guitar and and probably a guitar
actually at that point, and we
don't want to remember about really like the
biggest contribution from our time playing with
Max is that the sound really evolved.
That was the first time we were
playing with a full drum kid and not
using a cone anymore, and things
gone all out louder and a lot fuller
and we really like went from being
like a coffee shop folk kind of thing
to like a rock band. The
Way I remember it, we got an
opportunity for a show that felt like
a big deal. I don't remember what
the show was, but I can
certainly imagine as of the time saying like
this is going to be a big
show, so this is our reason to
brook anthony instead of Max and using
that as some kind of excuse to be
like, well, it's important,
so we have to make this this choice.
Changing drummers doesn't have to be dramatic. Band switch lineups all the time.
WHO's the way we did it?
That's still just mortifies me. It
was like we ghosted our own drummer. Rather than talking to Max about it,
we just booked the show with Anthony. It was so shitty and I
remember it was like the day before
or the day of the show, he
texted me and he said, do
we have a show tonight or do we
have a show? I remember that
moment where you were he texted you and
he's like he's asking right now if
we have a show. That's like,
Oh God, what are we tell
him? And Yeah, I also very
specifically remember telling people about it afterwards
and they asked like who's, like,
what happened your old drummer, and
we would tell them the story and we
would always say like he texted US
asking if we have a show and we
said we have a show, you
don't have a show, something horrible like
that. I don't even remember if
those are the words that we use to
him. I kind of don't think
that we would have been that cruel,
but I just remember that that is
the language that the retelling took on.
When people asked us about what happened
to our old drummer, is that's how
we told the story. So we
were aware that we had done something shitty
and that was the end of Max. No one reached out to him to
explain or to apologize, and no
one called us out for being so shitty.
It was just like one day we
were abandoned then all sudden we weren't.
We never spoke again, and so
I mean like, I think literally
years later, because we couldn't overcome
our own shame. Uh Yeah, we
really like we could have. He
would have understood, you know, we
could have said we're gonna go back
to this other drummer that we've played with
and we still want to be friends
and we really enjoyed this time together.
But we were children and we are
afraid of that confrontation and so instead we
just were shittheads about it. You
know, when I moved to La Proper
in two thousand and sixteen, I
passed him in the parking lot of traitor
jazz. I waved to him and
the look he gave me was just pure
ice, and I suddenly noticed the
void where my apology should have been.
So I wrote on a message on
facebook seven years later. Hey Max,
this may seem to come out of
nowhere, but I am writing to apologize
for the Shitty way I love things
with you and squarefish all those years ago.
Honestly, I did a lot of
shitty things when I was younger.
Sometimes I blame it on my underdeveloped
frontal lobe, sometimes my self centeredness,
sometimes my starry, I naivete translated
into narcissism. Either way, you are
my friend and my collaborator and I
just cut you out with no explanation or
consideration. And regardless of how mediocre
my band was, that wasn't okay.
I'm sure the whole thing is was
just a blip on your radar and that
has completely left your mind. But
for my own peace of mind, I
want you to know that I am
truly sorry. I hope your life is
happy and productive and full of beauty. Old Friend. PS, no,
I'm not a twelve step program cheese
cann a girl. Just apologize. He
read the message but he never responded
until just a few weeks ago. It's
why the story is on my mind. All he said was that he was
thinking about me and that he hoped
I was. Well, I'm glad you
apologize after seven years, and I'm
glad he accepted your apology five years after
that. I mean that's almost twelve
years. Your conflict is almost all enough
to have its own from its one. Can we hear a story where people
solve their conflict and a healthier and
maybe faster way? Okay, how about
faster and super fresh, like just
happened? Remember my friend dice smell from
episode six. I mentioned he lives
in a house with a bunch of people.
It's three couples. Sham like going
on. There's like too longstanding friends,
business partners, like in a band
with like one of the other people.
We each have our partners, and
my sister is very like inter related.
Sir, goal recently things had gotten
tense. It all started to spiral
down into like Oh, what is
this like? Union is potentially like fracturing
between some of these different couples,
because this shit is complicated. Like living
with a lot of people, it's
fucking hard, especially when you're in a
romantic relationship. It really is difficult
to navigate all these things and it takes
a lot of like understanding and awareness. So it all hate me like just
like a hammer to the face,
like all of this was going on,
but yet it hadn't really been addressed. So I felt called to kind of
organize. They like bit of a
circle around the situation of like can we
create a space or like everybody kind
of shares how they feel so we can
understand each other and then maybe we
can create can figure out like our needs
and set some boundaries. One person
in the house had been feeling judged by
some of the other people in the
house and this person was so uncomfortable they
wanted to move out, which is
kind of it's kind of nuts. It's
kind of crazy too, because when
the person originally addressed us, like she
kind of had to break up with
like six people. If all this is
very intense like moment that shattered the
bullshit around, and now we're now worried
a bit of a different dimension where
things are a bit more real, deeper,
like complicated it. So die smel
decided to consciously create a space where
they could all talk and I was
sort of going to set some protocols,
so he could like have open discussion
about that. And it's just like the
complex, the situation a very like
complex as like different emotions, rage and
sadnesss and like all these things that
people have been feeling for a long times
but they've never addressed. It was
just like really intense Cathartic like experience between
a group of friends. So it's
like kind of lay it all out and
it kind of like are all these
things that are just inside of you,
and some of it is like is, you know, it's it's hard for
other people to understand. They're taken. But yeah, it was a lot.
The next day I had actually set
up for myself, just been thinking
about it for months, like an
intentional like mushroom journey. So like after
this catharchist the next day I kind
of did this whole like, you know,
I did the therapeutic like playlist.
I'm asked PSYCHEDELIC Journey, which like
for me was just like super healing, supportive, like like Oh man,
like I feel like I'm accessing this
with other people. It feels like I've
stepped into this new party myself that
I didn't really know is that and like
it feels good to like be honest
with people, but be able to like
express your emotions, but also like
an intentionally, I not just be able
to like communicate yourselflf stand up for
yourself, but also be like respectful to
others and acknowledge them. And it's, it's, it was like. You
just have to like not have to
respond and kind of engage in these difficult
parts, because the necessary for people
that need a lot of processing time.
Hi Me. Also, friends has
writing is an effective way to do that,
and no one ever has to see
it. You could pull a Rachel
Bell and dump it all into a
private twitter, or you could pull Francis
and write a pretty solid email.
I think about you constantly. I want
to sleep with you again, if
you'd ever want to do that. I've
always thought that maybe I wasn't capable
of love, but I was too selfish.
I thought there was something wrong with
me. Somehow. That isn't true.
I know that I've hurt you.
I'll be buss. I love you
and I always have. There's something
that all these stories today have in common,
both with each other and with conversations
with friends, and that's that they
all deal with realizing that we each
have an inner life that's rich and complex
and worthy of being respected. It's
on us to give that respect to ourselves
and to the people in our lives. And sure, we have a lot
of things in common with one another
and it's always exciting to find those moments
of symmetry, but it's actually the
way we contrast each other that we need
to remember to celebrate. One of
the things about being in a relationship that
stands the test of time a little
bit is a growing awareness and appreciation for
differences. Here's Dr Martha Kelpy.
So this is just a normal stage of
a relationship for me, the stage
where you wake up and realize, oh
my gosh, I really didn't know
you, or I thought some things about
you the turn out not to be
true, or who the heck are you
anyway, and then there are opportunities
at that point to either grow into appreciating
differences and continuing to stay connected or
to let the relationship go. And relationships
that last people make the decision okay, I'm going to stick with it for
one reason or another, and I
think in order to get through that sort
of really difficult stage to a solid, excellent, long term relationship requires strategically
and intentionally developing an appreciation of differences. It's not exciting or likely that any
of us are going to have a
relationship with somebody who's just like us.
And if I did have a relationship
with somebody who was just like me,
I just be like, well,
where's the novelty of that? I'm never
surprised ever, you know, and
there wouldn't be anything to counterbalance my challenges.
There wouldn't be anything that I needed
to do differently. There, you
know, life would be very,
very boring. I think that this speaks
something to the need to appreciate diversity
generally, but also in our own homes
and our own relationships. Diversity should
be seen as a strength. So the
ways that were different help us be
stronger. If we can tolerate the heat
right, if we can tolerate some
conflict, we can tolerate some hard conversations
and we can remain in a relational
stance, we can seek the connection rather
than the right perfect answer or the
one world view. So I think it's
super complicated, but I would take
that question globally. It's it's a differences
are an important topic and one that
we don't talk about enough in relationships.
We think that a successful relationship is
between people who don't have any differences,
but that is absolutely not the case. The successful relationship is between people who
have come to terms with their differences
and figure out how to leverage them for
the greater good of all. I
just discovered a huge difference between us,
Maggie, and I feel very weird
about this right now. Okay, we
might have to break up. You
write in books, you whol again.
I write in books. Yeah,
of course I write in books. I
just found a note in conversation with
friends. It's sorry, Sally, Maggie
wrote in your book about Joanna Newsome, underline what song, question mark,
question mark, question mark, and
a bunch of Ha has. I mean,
I don't I don't get it.
I mean, it's quite simple actually.
Whenever I pick up the book again, I can flip it open and
as soon as I see some of
my writing, I'm taken instantly to one
of my favorite part of the book. I'm going to get you post.
It's because a book is sacred and
you should not. I don't believe in
a lot of things, but I
do believe that books are sacred, and
especially when it's my favorite book.
Feel very strongly that you wrote in it.
I agree that books are sacred and
that is exactly why I write in
them. We celebrate them in different
ways, but I want my copy of
beautiful world. Where are you back? I would never write in your copy.
My never writing someone else's copy.
IGGY, I think. I think
we got a breakup. I think
we can resolve this now that we've seen
the whole series, now that we've
kind of gone really deep. What are
your thoughts? It's an interesting question
because for me, conversations with friends,
the book was a slice of time. Still is. It's a slice of
time and a lot of me talking
to the different versions of the different awams
that are walking the planet in at
all at one time, because has just
like we living those moments of big
moments in my life that ended up being
big when I didn't know they were
big in complicated relationships. But then watching
the series, it's contemporary, so
it's not, you know, two thousand
and thirteen, two thousand and fifteen, when I had a lot of those
experiences and where I have been imagining
the book. I mean, as you
noticed, that I've been mentioning in
twin all the time. I have had
different boyfriends, but when I read
this book for the first time, it
just the way that nick talks,
the lack of communication, the frustration,
but also that that love and attraction
that existed, that that power just for
me it was untwine talking to me. That's why it keeps coming back,
and also the fact, I mean, he was in a relationship when the
for half of the time that we
were in a relationship. Yeah, someone
that he had been with for nine
years and he did decide to end things
with her and try and build something
with me, but at that point he
was so broken and I was so
broken because we already were. We were
in so much pain to that point
that it was sweet that we tried and
he had some beautiful moments but it
didn't work out. So in the series
with with Bobby and Francis Being Bobby
and Francis and not being just versions of
Noam's everywhere out of my head.
It's a different experience that that I really
appreciate. I think they did a
very good job and it's it's really art
more than a lot of tell fision
shows these days. Yeah, I agree.
Overall, I would say really great
experience. I'm glad that they adapted
the novel the way that they did. I saw all these choices that they
made and for the most part I
think I was on board with their choices.
There were a couple of sort of
thematic elements that were in the novel
that didn't make it in the series
that I kind of missed. I has
some something that's great with Sally Rooney
is the her reoccurring themes that remind me
of more comming in a way.
They're so different, but she kind of
re uses her same subject matter and
she kind of flirts with religion in a
way that I like, but instead
of criticizing it and just a normal way,
he shows it also as a coping
mechanism and kind of an interesting she
has a very interesting dialog with religion, with Frances and conversations with friends and
one of her endometriosis episodes when she
is in a lot of pain, in
the haze and the feverish hallucination that
she goes through, she wanders into a
church and she sits there and have
a has a conversation with herself and in
the end she passes out in that
church and I just find that so symbolic
there's just so much symbolism and that
is that is a part that would have
been hard to adapt. Yeah,
I get why they left that out because
I don't think it would have worked
visually. I think it would have been
overly dramatic. Exactly. Yeah,
I also, I'm just remembering now,
that that was one of the reasons
that I really identified with Francis, because
I went through a similar phase where
when I was really depressed once I was
like maybe, like Jesus, it's
a solution here. I've a I know
is it wasn't. It turned out
it wasn't, but I did, I
did explore it. You know,
for me one of the things that's kind
of missing from the series, at
least in the magnitude that it is in
the novel, is the concept of
self harm. You know, we see
one moment in the series where Francis
cuts herself and she kind of alludes to
it in the short story, but
it's kind of a big part of the
novel. It is and it isn't
in how she deals with nake being around
her. She hurt herself by her
just pain helps her deal with a lot
of the situations. Yeah, and
also the way the series ends and the
way the book ends are technically the
same, but I think I have more
hope for them in the series than
I did in the book. Really,
I disagree. Stay. Yeah,
I know, I think in in the
series I really felt that and here
we go again. That's the exact feeling
I got from the novel. Well, in a good I got it in
a good way and you get it
in a bad way. I got an
all God again and then in the
series I was like, okay, again,
maybe we can do it right this
time. So I got that from
the book, but it's just,
yeah, it's like here we go again,
and she does in the book she
said how she does it. It's
a bird, Iye, view of
Francis and nick kind of moving towards her
in time and I'm with them.
I'm with them on that journey. I
was really hoping to that maybe there's
going to be a second book, but
that's not how Sally Rolls. Yeah, I was hoping they do like a
handmade's tale kind of thing where you
know, you start with the novel and
then you go to what happens next. You know. But well, we
asked you about it and she kind
of brought us back down to Earth,
go off and imagine what it would
be like that. Those are my favorite
types of movies, my favorite types
of books. I kind of leave it
a little open ended so you're not
disappointed by the I mean it's some people
might be disappointed with come and get
me and that she's stepping back into this
situation, but I think it's kind
of a nice way of just like,
okay, she is aware of the
situation out and she is going into it
with the new perspective and a bit
more of an educated perspective. So I
think that's that says and but I
don't think. I don't think I want
to go back and see. I
think I want to let them go off
and experience that and then whether it
fails or works, you know, and
I just want I don't want to
know. I wrote like give it over
to them. I T verse.
You know exactly. Yeah, a bit
of everything everywhere like it. How
to show. This show is hosted and
produced by me, Maggie bowls and
me, no, I'm Gadweiser. It's
written and edited by me, with
Assistant Editing by Nawam. Our supervising producer
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and the entire Straw hut team.
The music is by Maggie Glass and square
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a shy, Lauren Thorpe, xavior Salas
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